“Digging Diaries” will be a new mixtape series from me for 2013, chronicling recent digs and travels I might take throughout the year. I went to Seattle and Portland over the winter holidays, and ended up shipping back a thick stack of vinyl to NYC. This mix is composed of just a few of those records, eclectic and vibey, trying to play some stuff you don’t normally hear, along with a couple classic breaks for the heads.
The infamous Dust and Grooves blog got it in with Noah Uman down at his new digs in Nashville. Noah used to live above a friend of mine in Jersey City, and was always super humble and down-to-earth whenever I ran into him, an all-around nice guy and music lover. Not to mention he supported a lot of my music and even had me on his WFMU radio show once, which was pretty kind considering much of my internet-distributed music was virtually unknown to anyone listening. Noah is not unknown however – besides continuing to host his radio show Coffee Break for Heroes and Villians he’s spreadheaded some amazing hip-hop reissues, from the Beatnuts to Siah and Yeshua Dapo Ed’s EP. And Dust and Grooves comes with some great photos per usual.
(Noah if you’re reading this I know I still owe you some music…)
This is dope – especially for obscure music lovers, record collectors and internet nerds (like me):
“While the RIAA was suing dead people for downloading Michael Jackson songs (and Madonna was using Soulseek to curse at teenagers), obscure music blogs racked up millions of hits, ripping and sharing 80s Japanese noise, 70s German prog, 60s San Francisco hippie freak-outs, 50s John Cage bootlegs, 30s gramophone oddities, Norwegian death metal, cold wave cassettes made by kids in their garages, and the like. It was the mid aughts, and the advent of digitization had inadvertently put the value of the music industry’s “Top Ten” commercial product in peril. That same process transformed the value of old, collectible music as well. If one smart record collector was able to share the entire contents—music, artwork and all—of one vinyl LP on his blog, for free, and upload another item from his 1,000+ collection the next day, for weeks and years, and others like him did the same, competing with each other about who could upload the rarest and most sought-after record, and anyone who downloaded it could then share it again and again… Suddenly everyone in the world had the coolest record collection in the world; and soon, nobody in the world had the coolest record collection in the world.” (h/t Pipomixes)
Me and Verb descended upon Beautiful World Syndicate in South Philly last night, along with the infamous Noah P (big shout out!). Need to get back there ASAP.
new mixtape: fourteen45sofcrunchylovesongsin7minutes
I know posts are slow – been extra busy, plus re-formulating stuff on the music front. here’s a short freestyle mix i threw together tonight – wanted to play some 45s and just get some off-the-cuff practice in. real crunchy, but hopefully you enjoy. also available for now on my soundcloud.
There’s this short film about a guy in Pittsburgh who has amassed the largest record collection ever. He calls it “The Archive.” In the movie, he says that the Library of Congress did a study of his collection, and found that for records released between the years 1948 – 1966, only 17% of that music is available on CD.
This guy has over two-million records, so that’s a crazy number. It means 83% of the music in his collection over a span of eighteen years has mostly been forgotten in the digital age. It makes you wonder how much – or little – music from any given year may end up being “timeless,” or how long it takes for a song or album before it becomes forgotten, buried beneath hundreds and thousands of others decades later.
But for us record nerds, there’s a certain kind of excitement too. It means a lot of undiscovered treasure, treasure only available on vinyl. It’s the kind of thing that inspires me to go out next weekend and keep looking through crusty stacks of LPs for some artist or label I’ve never seen before, some obscure b-side I never knew about.
Since I was a kid, I’ve always been a collector – coins, toys, baseball cards, etc – but records were a way for me to move past being just another obsessive hoarder. The joy of records is playing them – not only for yourself, but especially with others.
For the past five years, I have created and distributed at least one mixtape every single month, via the internets. I did this mainly for two reasons: as a challenge to myself, to do something creative on a consistent basis; and to play all these crazy records I’d been amassing. Records that because of my eclectic taste, I might not be able to fit on one or two mixtapes. Records that you can’t really dance to, or records that I would dance to but most people probably wouldn’t. Records that had important meaning to me but might not fit within cliche definitions of “hip-hop.”
This latest tape carries that theme – I just wanted to play some of my favorite joints plus some classic breaks I don’t usually play, and intersperse a few vocal clips of people talking about why they love records. It kind of floats through various genres and hopefully is a fun sort of compilation of my continuing digging adventures. Shout out to Ani for the photo used on the cover.
When people find out I’m a DJ, they usually ask me where I spin. It’s hard to describe to them that besides an occasional afterparty or random gig, I spent most of my time making obscure mixtapes for an internet audience much bigger than most live shows I’ve played. I want to say thank you to everyone who let me play these kinds of records and bumped these “tapes” over the past five years. One of the reasons I’ve continued making these mixes has been the positive reaction to them, and I feel indebted to everyone who’s stuck around and supported my tapes from the beginning.
I also want to send a huge thank-you and shout-out to all the blogs who have plugged my tapes since 2007, especially Grandgood, CrateKings, and Pipomixes. Additionally, shouts to King Megatrip, JNOTA and ReDefinition Records, Root70Lounge, thisistomorrow, Stephanie Vaughn, DomeShots&FatLaces, TROYBlog, Kevin Nottingham, The RapUp, Heavy Soul Brutha and anyone I’ve forgotten who blogged about my tapes and got the word out.
Further thank-yous to Verb Math, Evolve-One, Brian Burk, Alex Stange, Omega Jackson, Walidah, Dahwud, Jelani, DJ Seek-Ten, DJ Center, DJ Sayeed, Bina, Gabe T, Keyel, Kinetik and Dirty Hairy for coming through with drops on these mixes. Also big shout to Amy Goodman for saying my name on a Democracy Now! show years ago – the best mixtape drop a lefty DJ could ask for.
Finally, I am not putting an end to making mixtapes or new projects – just the monthly series. There will be more tapes, more creations, more experiments. Change is good, and it’s time for something new.
— DJ Ian Head
Some footage released by Shadow of his studio and lots of records, plus him on the cuts. Also, record store digging footage I hadn’t checked before: Read the rest of this entry »